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THEATRE – Edinburgh, Scotland – Edinburgh International Festival – “887” by Robert Lepage.
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THEATRE
887 by Robert Lepage – Edited by Deidre McAuliffe, MFA
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887 by Robert Lepage
Supported by Jo and Alison Elliot, Québec Government Office, London, Conseil des arts et des lettres Québec and Canada Council for the Arts.
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Photo of “887” courtesy of Edinburgh International Festival. All rights reserved 2015. Copyright © Edinburgh International Festival.

THEATRE
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THEATRE

887: for Robert Lepage, that street number will forever be associated with his childhood. It’s also the starting point for a riveting foray into the workings of memory. How is it that we can remember a telephone number from our childhood, but not the one we have now? Why do the details of the most banal past experiences stay with us, while other, more important events fade into oblivion?
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Deidre McAuliffe, MFA
– Theatre –
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Urban Book Circle® (UBC)

Edited by Deidre McAuliffe, MFA,
Irish Canadian linguist
887 by Robert Lepage

European Premiere
In 887, Robert Lepage draws on his childhood memories to launch a playful, intimate and spectacular foray into the workings of human memory, the stories we tell, and the history we’ve forgotten. Another astonishing one-man show from the creator of The Far Side of the Moon and The Andersen Project.
Legendary director, playwright and ‘visual wizard’ (New York Times), Robert Lepage returns to Edinburgh to perform the European premiere of his new work.

While Lepage continues to pioneer the use of technology, his work is imbued with an intimacy and humanity that few can match. 887 is a riveting foray into the world of memory, exploring how personal recollections are reflected in collective consciousness. Lepage recalls his own experience as a French-speaking child during the October Crisis of 1970, when violent action by the Front de libération du Québec provoked the invocation of the War Measures Act, bringing troops onto the streets of the province. Years later, in an era of unlimited digital capture and storage he must examine the validity and nature of his memories and the very purpose of theatre, an art based on the act of remembering.
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An Ex Machina production, commissioned by the Arts and Culture Program of the TORONTO 2015 Pan Am and Parapan Am Games in co-production with le lieu unique, Nantes, La Comète – Scène nationale de Châlons-en-Champagne, Edinburgh International Festival, Århus Festuge, Théâtre de la Ville-Paris, Festival d'Automne à Paris, Romaeuropa Festival 2015, Bonlieu Scène nationale Annecy, Ysarca Art Promotions - Pilar de Yzaguirre, Célestins, Théâtre de Lyon, Le Théâtre français du Centre national des Arts d’Ottawa and Le Théâtre du Nouveau Monde, Montréal.
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Robert Lepage is one of the most influential artists working in today’s theatre. His unclassifiable career has ranged from epic stagings for the Metropolitan Opera and Cirque du Soleil, to deeply personal solo shows such as The Far Side of the Moon and major ensemble works such as The Seven Streams of the River Ota. He has directed many films including the acclaimed Le Polygraphe and starred in Denys Arcand’s Jésus de Montréal.
887: for Robert Lepage, that street number will forever be associated with his childhood. It’s also the starting point for a riveting foray into the workings of memory. How is it that we can remember a telephone number from our childhood, but not the one we have now? Why do the details of the most banal past experiences stay with us, while other, more important events fade into oblivion?

Delving into his own recollections, the ever-inquisitive Lepage traverses a vast canvas that invites viewers to reflect on the nature of personal and collective memory. Venturing beyond the individual, he also considers the names of streets, monuments and parks, placing these commemorative markers in the context of a fascinating look at the ramifications of the human psyche and the link between personal recollections and collective consciousness.

With this playful, experimental work about the essence of theatre–an art based on the act of remembering–and the nature of humankind, Quebec’s leading contemporary artist adds another title to his roster of legendary one-man shows: Needles and Opium, Elsinore, The Far Side of the Moon, and The Andersen Project. In 887, he never explains. He describes and reveals, creating a space where, amazed, we apprehend what we were on the verge of forgetting: our stories, our history.
Edited by Deidre McAuliffe, MFA,
Irish Canadian linguist and literary program editor of the Urban Book Circle
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Urban Book Circle® (UBC)
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Deidre McAuliffe, MFA – photo by Deidre McAuliffe. All rights reserved 2015. Copyright © Deidre McAuliffe.
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URBAN BOOK CIRCLE
Deidre McAuliffe, MFA,
Irish Canadian linguist,
literary program editor
of the Urban Book Circle

2015

THOUGHTS
  • Prvoslav Vujcic Quotes
Edited by Deidre McAuliffe, MFA, Irish Canadian linguist and literary program editor of the Urban Book Circle.
THEATRE
  • 887 – Edited by Deidre McAuliffe, MFA
Edinburgh, Scotland – Edinburgh International Festival – “887” by Robert Lepage.
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URBAN BOOK CIRCLE
Deidre McAuliffe, MFA,
Irish Canadian linguist,
literary program editor
of the Urban Book Circle

2014

COLUMNS
  • Samuel Beckett, Irish poet – Her, Him and Us
THEATRE
  • Thalerhof – Edited by Deidre McAuliffe, MFA
Belgrade, Serbia, Yugoslav Drama Theatre – Thalerhof by Andrzej Stasiuk, Schauspielhaus, Graz. The guest performance from Schauspielhaus, Graz, Thalerhof takes part in the Programme of Marking the WWI Centerary in 2014, which has support of the Ministry of culture and information in the Republic of Serbia.
  • 1914 – Edited by Deidre McAuliffe, MFA
Belgrade, Serbia, Yugoslav Drama Theatre – 1914, Directed by Robert Wilson, National Theatre Prague. The guest performance from National Theatre Prague, 1914 takes part in the Programme of Marking the WWI Centenary in 2014, which has support of the Ministry of culture and information in the Republic of Serbia.
  • Dragonslayers – Edited by Deidre McAuliffe, MFA
Belgrade, Serbia – Dragonslayers by Milena Markovic, Directed by Iva Milosevic, Yugoslav Drama Theatre. The piece is written as a “heroic cabaret”, in a form of an ironic history lesson. Dragonslayers takes part in the Programme of Marking the WWI Centenary, which has support of the Ministry of culture and information in the Republic of Serbia.
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URBAN BOOK CIRCLE
Deidre McAuliffe, MFA,
Irish Canadian linguist,
literary program editor
of the Urban Book Circle

2013

COLUMNS
  • A Dream Within a Dream
  • Remembrance Day
  • Writer should be spelled W-A-R-R-I-O-R by Lisa Yarde
Edited by Deidre McAuliffe, MFA, Irish Canadian linguist and literary program editor of the Urban Book Circle.
THOUGHTS
  • Samuel Beckett Quotes
Edited by Deidre McAuliffe, MFA, Irish Canadian linguist and literary program editor of the Urban Book Circle.
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C O M M E N T S



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Note: The Urban Book Circle does not necessarily endorse any of the views posted. By submitting your comments, you acknowledge that the Urban Book Circle has the right to reproduce, broadcast and publicize those comments or any part thereof in any manner whatsoever. Please note that comments are moderated and published according to our Terms and Conditions.

887 by Robert Lepage – Edited by Deidre McAuliffe, MFA



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· 887 / Edited by Deidre McAuliffe, MFA ·
· Photo of 887 courtesy of Edinburgh International Festival
All rights reserved 2015. Copyright © Edinburgh International Festival ·
· Photo of Edinburgh International Festival courtesy of Edinburgh International Festival
All rights reserved 2015. Copyright © Edinburgh International Festival
·
· Photo of Edinburgh courtesy of Urban Book Circle archives ·
· Photo of Samuel Beckett’s bookshelf in the study of his apartment at the Boulevard St Jacques in Paris courtesy of John Minihan / All rights reserved 1985. Copyright © John Minihan ·
· Design & Artwork by Djuradj Vujcic and Prvoslav Vujcic · Illustrated by Sarah Riordan and Deidre McAuliffe ·
· Edited by Djuradj Vujcic, Prvoslav Vujcic, Deidre McAuliffe, Sarah Riordan and Danijela Kovacevic Mikic ·
All rights reserved 2015. Copyright © Urban Book Circle®
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Urban Book Circle: a circle of the gifted, literate and brave.
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Last updated on August 19, 2015.
Published by Urban Book Circle on Aufgust 19, 2015
Urban Book Circle® (UBC)
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© Copyright Urban Book Circle® (“UBC”) All Rights Reserved. Circle UBC® – an online magazine of applied literature and traditional arts – of the UBC. Head Office based in Toronto, Ontario, Canada. UBC Canada Press, Publisher. Unauthorized distribution, transmission or republication strictly prohibited.
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